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Lisa Cholodenko

Lisa Cholodenko

1 Film

Lisa Cholodenko

1 Included Film

Lisa Cholodenko photo

Lisa Cholodenko (born June 5, 1964) is an American screenwriter and director. Cholodenko wrote and directed the films High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010). She has also directed television, including the miniseries Olive Kitteridge (2014) and Unbelievable (2019). She has been nominated for an Academy Award and a Golden Globe and has won an Emmy and a DGA Award. Description above from the Wikipedia article Lisa Cholodenko, licensed under CC-BY-SA, full list of contributors on Wikipedia.

High Art poster
Letterboxd
1080p Blu-ray
Best English-Friendly:

Criterion Blu-ray

Best Video:

Criterion Blu-ray

Best Audio:

5.1 remix: Criterion Blu-ray
Original matrixed stereo: Universal NTSC DVD

The 5.1 track is a new mix from the original elements, rather than a straight transfer.

Additional Info:

Criterion booklet notes:
> High Art is presented in the aspect ratio of 1.85:1. Supervised and approved by director Lisa Cholodenko, this new 4K restoration was undertaken by the Academy Film Archive and the UCLA Film & Television Archive, in conjunction with the Sundance Institute, using the 35 mm original camera negative. The 5.1 surround soundtrack was remastered from the DA-88 edit masters and mix masters. Funding was provided by the Academy of Motion Picture Arts and Sciences, Frameline, the Sundance Institute, and the UCLA Film & Television Archive, with laboratory services by Roundabout Entertainment, Red Hook Post, and Monkeyland Audio.

High Art poster
1080p Blu-ray
Best English-Friendly:

Criterion Blu-ray

Best Video:

Criterion Blu-ray

Best Audio:

5.1 remix: Criterion Blu-ray
Original matrixed stereo: Universal NTSC DVD

The 5.1 track is a new mix from the original elements, rather than a straight transfer.

Additional Info:

Criterion booklet notes:
> High Art is presented in the aspect ratio of 1.85:1. Supervised and approved by director Lisa Cholodenko, this new 4K restoration was undertaken by the Academy Film Archive and the UCLA Film & Television Archive, in conjunction with the Sundance Institute, using the 35 mm original camera negative. The 5.1 surround soundtrack was remastered from the DA-88 edit masters and mix masters. Funding was provided by the Academy of Motion Picture Arts and Sciences, Frameline, the Sundance Institute, and the UCLA Film & Television Archive, with laboratory services by Roundabout Entertainment, Red Hook Post, and Monkeyland Audio.

1 film

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